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S12E08 – Shooting in Rome

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Welcome to Rome Fletcherfans, where a movie set in the deserts of Texas is being shot for tax reasons probably. The director, Monte Hayes, is a slave driver, his ex-wife is the lead star and his son is a stuntman in training, but the person sent in to clean up the script is pretty rad.

Jessica saves the day again.

While Monte rages around the place, the producer Boyce Brown convinces Jessica it’s all going to be fine, except he has money problems and someone keeps stealing things. He ducks off to have a quiet word to the leading man Rex Toland about his garlic breath in the love scene.

Monte’s son and wannabe stuntman Gary Hayes gets his flirt on with one of the production assistants Adriana Bonelli before Rex steps in, confidence doubled now that he’s got breath spray. In her trailer, Gary’s mother Kate Danbury chats with her agent Jake Farber about getting Monte off the movie, before she is summoned to the set.  Boyce meets with a familiar face about the recent spate of thefts on set.

Last seen here, still as dashing as ever.

Inspector Amati is investigating the thefts but is also very confused that the movie is based on a JB Fletcher book set in Chicago, but is being filmed in Italy to look like Texas. Tax reasons m’dude. Boyce gets a call from script editor Lucy Hendrix to let him know that the movie backer has just arrived – pasta tycoon (and Adriana’s father) Raimondo Bonelli. He assures Boyce that their financial troubles will be over by Thursday,

The rehearsal with Kate Danbury, Rex and Monte descends into a shouting match and Gary feels bad about it but Jessica assures him none of it is his fault. Later, Monte tells his son that basically he wanted a wife and got an actress, and Kate wanted a husband and got a director and that’s why it all went wrong. He also asks if Gary knows anything about the thefts, on account of that trouble he got into at school but Gary is outraged even at the thought.

Raimondo gets a phone call from a shady character by the name of Tomaso Cirullio, who is very unhappy that he was unable to get on set after-hours the previous night. Raimondo assures him it was an accident, the security was meant to be turned off. Tomaso tells him he will try again tonight but Raimondo says no, there’s a construction crew, it will have to be tomorrow. He hangs up and drives away. Jessica watches all this go down and notices a business card fall from Raimondo’s pocket. Tomaso Cirullio seems to be a loan shark.

Monte, Gary and stunt gaffer Webb Prentiss go over a stunt for the next day’s shoot, involving a car chase. Webb says it will look flashy but it will be safe, so Monte suggests Gary does it. Webb is surprised but agrees as long as it’s alright with Monte. Gary takes off to celebrate and Webb offers to film it with the second unit so Monte can focus on other things, but Monte informs him there is no second unit, he will direct every foot of this film. Webb tells him that isn’t what Boyce promised him and Monte tells him to take it up with Boyce then.

That night, someone takes to something with a blowtorch. MYSTERIOUS.

In the morning, Jess meets with Boyce who is stressed out of his gourd and wants JB to talk to Kate about stopping her crusade to get Monte fired. JB tells him Kate said she would if he apologised. Boyce throws his hands up and moves on to stressing about the thefts, which makes Jess think of a certain loan shark she’s just become aware of.

Over on a sound stage Gary lures his parents into a room and begs them just to talk for 30 seconds, and it nearly works. JB bumps into Tomaso Cirullio skulking around the set and pretends to be Raimond’s secretary Dominique, complete with Outrageous Italian Accent.

I did think at one point she was South African, but I’ve got heat insanity again so who knows.

Jake Farber wanders into Kate’s dressing room to tell her the good news – Monte’s leaving the film. Kate fires him immediately, which seems a bit weird but it turns out Jake has been pitching Boyce replacements for Monte – and for Kate – already. Lucy comes in to tell her that Gary is doing the car stunt and Kate flips and heads straight to the set to tear Monte a new one. Gary is adamant he’s going to do it, despite Webb’s discovery that someone did a shoddy weld job on part of the stunt. Raimondo takes off. Jessica notices a container of breath spray on the ground.

Five star rating all day.

Raimondo gets on his car phone and tells Tomaso he’s received his message via the damaged stunt rig. He’s just relieved no one got hurt but Tomaso says someone still might. Raimondo promises the security system will be turned off that night.

Jess confronts Rex with the breath spray, and he tells her he was just wandering past the rig the previous night. He did see someone, but it didn’t and doesn’t make any sense since the person messing with the rig was Webb Prentiss himself.

JB rushes over to stop the stunt but it’s too late – the cars come round the corner, one goes up off the ramp but crashes into the car it was meant to clear. Everyone rushes over to check, but Gary wasn’t in the car – it was Webb.

The set shuts down. Monte tells anyone who’ll listen that this is a first for him, and Lucy Hendricks tells him to stop talking. Monte cracks the sads until JB reminds him that Lucy and Webb were a thing. Gary wanders past but isn’t interested in talking to his father either. Inspector Amati would like to know why JB thought it necessary to try and stop the stunt and she explains how she learned that Webb was the one who sabotaged the rig. Later, Amati chats to Boyce and Kate and they tell him it was Boyce’s decision to swap Gary for Webb. Amati thinks they still need to consider the possibility of murder, and given the late driver swap, they need to consider that Gary was the target. Gary himself is outside having a crisis while Adriana tells him he needs to come forward with what he saw.

JB and Amati have a chat down at the garage where the car is being examined. JB says Webb claimed all the driver needed to do was maintain a speed of 60 miles an hour and the stunt would work perfectly – but what if he only thought he was going at 60? Amati tells his men to check the speedo, and then gets a message from another colleague. Jessica’s hunch about Raimondo Bonelli has paid off.

Raimondo refuses to admit his financial situation, but Amati has the good word straight from his bank. Raimondo folds, and says he only wanted to make a movie, but he ran out of money and fell into Tomaso’s clutches. He tells it all to Amati, who manages to catch Tomaso in the act of stealing stuff off the set later that night.

The next morning, JB finds Boyce chucking it all in. He was going to beg Jake Farber to get him a deal back in America but Jake would only do it if Boyce convinced Kate not to fire Jake. JB calls BS on the whole thing and tells him he’s a bigshot he can make this work with no favours from anybody. She then finds Gary moping around the set and gets him to unload – apparently he saw Monte tinkering with the car before the stunt, and he thinks Monte tried to kill him. Monte swears it’s not true but Amati appears with the news that Monte’s fingerprints are all over the car and could he have a word?

Monte swears he had nothing to do with anything, he just lifted the hood to make sure that everything was okay because it was his son in the driver’s seat. Amati thinks it was all about revenge on his ex-wife but Monte says not possible, he’s still in love with his ex-wife. Kate overhears this and begs JB for help.

Jess watches the tape of the crash with Boyce, crunches some numbers and realises that Webb was going 50 miles an hour, not 60. Back at the police station, Amati regales JB and Kate with the story of when he was an extra in Cleopatra with Richard Burton and Elizabeth Taylor, and something about the word diamonds explains the whole thing to JB.

Back at the lot, Jake tries to get his new client Rex Toland off the film, but after Boyce tells him he’s solved his money problems he changes tack and tries to offer a new director. Boyce says the only problem he has is getting Kate back to work, but Jake tells him just to threaten to take her money away, she’s broke and she needs it. Meanwhile, Gary tells Adriana that JB has solved the case and the police will be coming to take the car away the following day. Rex lurks in the background eavesdropping until Lucy shoos him away.

With the trap set, JB waits for the killer to take the bait, and sure enough –

Not my first choice. Not my second choice. This is why JB Fletcher solves crimes and I eat cheese.

Something something car talk, Lucy killed Webb because Webb killed her father four years ago to take over as the head stuntman.

Bring on the cool change you guys. There are fires that need putting out.

Later gang!

 

 

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S08E13 – Incident in Lot 7

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We’re in Hollyweird this week Fletcherfans, where JB has just rolled up to Universal City Studios meet the people who want to turn her most recent book into a movie.

Side note, I love it when an actor name is also a subtitle.

AMAZING NAME

AMAZING NAME

Turns out that woman opening the car door to greet Our Heroine is the aforementioned parked Lincoln, today playing Carolyn Price, the secretary of the producer Daryl Heyward. She’s been sent to escort JB through the lot to a meeting.

b2

*violins intensify*

*violins intensify*

At the meeting, JB meets Daryl, his agent Willy Montego, and the writer hired to adapt the screenplay, John Cavershaw.

e2

*intense violin intensifies*

*intense violin intensifies*

JB tells Daryl her publisher was impressed with his persistence, and asks him whether he thinks there will be any creative problems adapting the book. He says that’s John’s purview and John tells her he’s got a few fixes to do…

g2

…fixes meaning, making things more visual for the screen.

Daryl’s watch beeps, he has to be somewhere in 20 minutes. He’s set up a lunch meeting between JB and John to discuss the script, which gives JB just enough time to check into the hotel. Willie tells her she hopes she will enjoy herself – on the lot they are just one big happy family.

Cut to a bottle being thrown at Daryl’s head by the movie’s star, Leonora Holt.

Shiny shirt is shiny.

Shiny shirt is shiny.

Seems fair.

Seems fair.

The reason for the bottle smashing is a report in the paper that says that Leonora’s creepy nemesis Kevin Maxwell is going to be in the movie, but Daryl swears it isn’t true, and that the actor probably planted the story himself to try and get on the cast. Leonora cautiously believes him, and promises to come to the set later that day to meet JB.

Across town, on the set of Baywatch…

No seriously, don't. (Did you guys know the Hoff once played Nick Fury? And I thought we were living in the upside down now...)

No seriously, don’t. (Did you guys know the Hoff once played Nick Fury? And I thought we were living in the Upside Down now…)

…Daryl is on the phone to his secretary to tell Kevin Maxwell’s agent that if his client opens his mouth again there will be trouble, he was only offered the role on the proviso he kept it quiet. Daryl also says he won’t be back in the office for a bit, he has an errand to run.

Over at the lot, JB and John Caversham are having lunch and discussing his plans for the movie, which is based on a true story. Caversham thinks they don’t need to do much, just add a couple of car chases, 2 or 3 more murders and they’ll have to change the ending, audiences won’t pay five dollars to go and see it if they’ve already read the book and know who the killer is.

*aggressively intense violins intensify*

*aggressively intense violins intensify*

FIVE DOLLARS? ARE YOU KIDDING ME? It costs 25 dollars to go see a movie! Damn I miss 90s prices.

l2

Tonight, on Plots, They Murdered...

Tonight, on Plots They Murdered…

Daryl, meanwhile, is about to do his errand.

Blergh,

Blergh,

Back at the lot though, a little old man is sneaking into a shrubbery in a truck.

Oh, what sad times are these when passing ruffians can say Ni at will to old ladies. There is a pestilence upon this land, nothing is sacred. Even those who arrange and design shrubberies are under considerable economic stress in this period in history.

Oh, what sad times are these when passing ruffians can say Ni at will to old ladies. There is a pestilence upon this land, nothing is sacred. Even those who arrange and design shrubberies are under considerable economic stress in this period in history.

Jess has given up on explaining to John what a nonce he is, so he has delivered her to the head of production, Ben Miller for a tour of the lot. As they walk, Ben asks JB if she thinks evil is a real thing. For example, say you spend a lot of money to convince the world that something is evil – does it then become evil?

JB thinks it depends on what it is.

“That,” says Ben, and points.

*aggressively intense violins get all up in your grill*

*aggressively intense violins get all up in your grill*

That, as I’m sure you know, is the Psycho house. Home of the originator of on-screen mummy issues, Norman Bates. Naturally JB wants to get in there and have a poke about, but alas it’s locked up tight. Ben promises to get the key tomorrow so they can go in and take a look around. As they leave JB sees a shadowy figure cross the window, but decides she’s imagining it.

Daryl has finished doing his errand (ERGH), and decides it’s the end of the line. She’s married to one of his biggest investors, she’s got kids, it’s all too complicated. He launches into a speech about Darwin’s theory of evolution and she points out he didn’t think it was complicated when she was convincing her husband to invest in Daryl’s company when it was about to go broke. Daryl tells her he’s grateful, they’ll do lunch.

Back at the lot, Carolyn introduces JB to Leonora Holt, who is thrilled when she discovers that the book is based on a true story and she will be playing JB (how she didn’t work this out until now is in fact a mystery). She can’t wait to spend all her time with JB picking her brain, finding out about her life and her work, how she investigates murders, how she dresses, she wants to make the role as true to life as she can. She’ll have to learn all those words like moxy and hood and how to put someone on ice. She wonders if she will have to learn to type…

Not thrilled about this development I think.

Not thrilled about this development I think.

Faced with the overwhelming omnishambles that this production is turning into, JB goes to Daryl and says she would rather withdraw her book from the deal rather than see it eviscerated. Daryl tells her sure, no problem, they’ll get rid of John Cavershaw, he never wanted him anyway (which is news to Leonora, she always thought Daryl liked him.) Daryl has a brainwave – JB should write the script and he’ll set up a brains trust of people to help her through the learning curve and then that way Leonora can spend more time learning about her character.

“Oh no, I really wouldn’t want to impose.” JB says through gritted teeth.

That night, as Carolyn and Daryl are leaving, Daryl’s errand rolls up. Turns out her name is Monica. She’s not thrilled with the way things ended, and when Daryl tells her right now isn’t the best time or place to be discussing it she suggests they go to his place, to see what his wife thinks about it all. Daryl sees no reason for her to know, but Monica thinks there’s plenty – so she can hurt him the way he hurt her. Daryl says it will happen over his dead body and Monica tells him that suits her down to the ground.

After a clearly bad nights sleep Daryl arrives at work and tells Ben Miller he’s being let go for cost cutting reasons. Ben swears he won’t leave and Daryl tells him he can either leave with dignity and a month’s pay or leave with security. Ben tells him this ain’t over. At lunch Jess runs into Daryl and Willie at the commissary and says she’s looking for Ben so they can finish the tour of the Bates House. Daryl says Ben’s not available just now, but he’d be delighted to finish the tour with her and arranges to meet her at the Bates Hotel at 3 o’clock. As Jess leaves, Roger the Shrubber peers up over a menu.

That afternoon Daryl lets himself into the Bates House. JB arrives a little while later and sees a figure move in front of one of the windows. She goes inside and finds Daryl dead on the floor.

*aggressively intense violins start throwing chairs around and swearing profusely*

*aggressively intense violins start throwing chairs around and swearing profusely*

The police rock up and…excuse me I have something in my eye…

He's so young in this!

He’s so young in this!

Lieutenant Hanrahan listens as JB points out a few details in the crime scene, like a weird blood smear, but they are soon interrupted by Carolyn who would like a private word with the lieutenant. JB politely leaves them too it and joins the rest of the staff in the office. Ben comes in with a shaken Willy, who collapses on the couch.

The shoes are a thing, I'll get back to them.

The shoes are a thing, I’ll get back to them.

Lieutenant Hanrahan arrives just in time to hear Ben Miller say he’s not sorry Daryl’s dead, and asks him to go into much greater detail. Afterwards, he goes to see Daryl’s errand Monica to find out more about this fight she and Daryl had that Carolyn overheard,  and Monica says she didn’t kill Daryl and Carolyn was probably making the whole thing up.

Back at the office, Jess is worried that Daryl was killed because of the movie, but Willy says he doesn’t know anything about anything. Leonora thinks this is the perfect time to practice her 1940s noir detective words she’s learnt and starts demanding information.

Leonora is like Daniel Day Lewis when it comes to method acting.

Leonora is like Daniel Day Lewis when it comes to method acting, probably.

Leonora takes her self off to practice more gangster words, and JB asks if Willy knew anyone else who would try and hurt Daryl. Willie says he gave the list of names to Lieutenant Hanrahan who told him to keep it confidential. JB understands, and says at least he got to see Daryl right before. He tells her they were in the commissary finishing the paperwork on his new agent contract, Willy was going to rep Daryl for another 2 years. Meanwhile, Carolyn is fielding calls and barely notices when Roger the Shrubber comes in to ask when Leonora will be in again. She tells him she won’t be back til the afternoon but the phone rings again and Roger says that’s okay, he can wait, and goes into the office.

Jess gets back to her hotel room, a bit tuckered out if I’m honest, and suddenly realises the news is on. She catches the tail end of the report and then starts channel surfing and wouldn’t you know, Psycho is playing on another channel. She watches on with interest as Detective Arbogast (played by Martin Balsam who was in these episodes of Murder She Wrote) gets stabbed by Mrs Bates and go tumbling down the stairs, before a knock at the door brings her back to reality. It’s John Cavershaw, who decided JB was right and has written up some new treatments for the movie. JB asks him if Daryl had said anything to him about the script and John says no. He also reveals that Daryl never wanted Leonora in the role, and so had hired Kevin Maxwell to be in the movie in the hope she would quit.

Back at the studio Leonora denies the rumour that she wasn’t first choice, or that she had any issue with Kevin Maxwell, but then JB is called away to the phone. While Leonora waits, she gets a visitor from Roger the Shrubber, who turns out to be her number 1 fan.

Poor Roger isn't playing with a full deck of cards.

Obvious shrubber.

After some deft work from JB Roger is contained and taken to the police station. The gun turns out to be a prop from Leonora’s first movie that he wanted to give her, possibly in exchange for dinner. But he knew nothing about Daryl’s death – he left his Bates House hideout to go and get food and when he came back there was a body on the floor and the house was talking to him.

Poor Roger

Poor Roger

(For the record Roger’s real name is Oliver, but whatever he’s Roger the Shrubber).

JB has one last question – did Roger notice any papers on the body when he went back? Roger tells her yes, a whole heap of blue pages. Hanrahan says they weren’t there when the police arrived and Jess no. She knows what’s going on now.

Later that Ben Miller goes to see Willie to beg him to tell JB not to go back to the Bates House that night. Willy asks him why she’s going and Ben says she told him she was going to make the house talk to her.

JB arrives at the dark deserted house and heads inside. A quick test of the pipes in the kitchen and the bathroom upstairs reveal all JB needed to know, just as the killer walks in.

Oh dear. (Also, not the first time there's been a willie of death it turns out.)

Oh dear. (Also, not the first time there’s been a willie of death it turns out.)

Turns out Ben Miller wasn’t the only person who got the boot that day. Willie was being let go too, so he bumped off Daryl, slipped in some blood, went all over the Bates House looking for water to clean his shoes and THAT’S WHY HIS SHOES ARE TWO DIFFERENT COLOURS LIKE THAT TIME UP THERE WHEN I SAID I’D GET BACK TO THE SHOES JOB DONE.

Case closed kids. Time for me to have a coffee.

*cue the violins*

*cue the violins*

 

S01E04 – Hooray for Homicide

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I’m not kidding. It really is called Hooray for Homicide. And spoiler alert – there isn’t a single musical number in this episode. A golden opportunity missed!

It was probably a bit much to expect a musical episode four episodes in to the first season, I guess.

Moving on.

Our girl is at home this week, trialling different methods of murder – all in the name of fiction, natch. That’s the best thing about being a writer! You can spend three days making poisons or eating cheese, and call it research. Booyah! While Jess is busy strangling a mannequin, the phone rings – it’s one of Jess’s cronies with some exciting news. The director of a movie based on Jess’s book is on TV, talking about (among other things) the scene where the psychotic killer uses a flamethrower on a group of breakdancers.

Jess is horrified! That’s not in her book! (Briony is horrified. How can that not be a real movie?) She gets on the phone to her publisher immediately (her new one, presumably, since the old one was the Publisher of Death in S01E01), and says she’ll put a stop to this nonsense even if she has to fly all the way to Hollywood herself.

Cut to Jess sitting in her lawyer’s office in LA. Surprise!  Her lawyer tells her the movie is going to be huge – a combination of Halloween, Porky’s and Flashdance.

Just consider that combination for a moment.

I bet Richard Castle doesn’t have this problem.

The lawyer, unable to grasp the idea that someone wouldn’t want their book turned into a combination of Halloween, Porky’s and Flashdance, tells Jess he will assign a junior member of staff to help Jess work out her legal rights, then shuffles her out the door.

Demanding satisfaction, Jess goes to the studio but is blocked from entering by an overzealous guard. Fortunately, our heroine is saved by someone named Marta Quintessa who happens to be the costume designer on the movie. She introduces Jess to the producer Jack Nicholson Wannabe Jerry Lydecker, whose other credits included sleeping with the leading lady, and screwing the writer of the screenplay out of his share of the money. Jess manages to get him to agree to see her after lunch, and sneaks on to the set to watch her book become Porkys: The Musical. The director is hard at work, explaining to the leading lady why she needs to shag her boyfriend in the cemetery.

John Astin, wondering where he made a wrong turn…

Before she can register her objections/get John Astin’s autograph, Jess is hurried from the set.

After lunch, we find Jess in Lydecker’s office, demanding satisfaction. Lydecker tells Jess that he only bought the book for the title – Porky’s: The Musical The Corpse Danced At Midnight, and despite Jess’s demands for satisfaction, he can do whatever he likes to her picture.

This means war! Jess announces that “Just because the Almighty gave mankind a taste for lobsters, doesn’t mean he gave lobsters a taste for being boiled alive.” (Life lesson #14), which is the Cabot Cove version of “THIS IS SPARTAAAAAA”. She vows to do whatever is necessary to protect her book.

Worn out after all this Hollywood in-fighting, Jess goes back to her hotel, but her rest is soon disturbed by her lawyer’s promised help:

NORMAN LESTER: ATTORNEY-AT-LAW

I’ll be honest. At this point I was going to devote the rest of the blog post to Faces Norman Lester Pulls, but I have fought and overcome this urge.

Almost.

Okay, I’m done.

Norman shows Jess her contract, and she is horrified to discover that Lydecker was right – she has no legal right to interfere in Porky’s: The Musical. Chastened, there’s only one thing a grand dame from Cabot Cove can do – apologise. She goes to his office, but his assistant says a) he’s out and b) call tomorrow. Jess says this is impossible – what she needs to do cannot be done by telephone. See where this is going yet?

Jess goes to Stage 3, where the late lamented Lydecker has met his maker amongst the fake gravestones. Jess goes to alert the authorities (but not before taking note of a gold button left next to the body) and crashes into Paul Blart Mall Cop a security guard who, in lieu of anything better to do, tries to arrest JB.

The cops finally arrive – the lead detective is in fact the President of the JB Fletcher Fan Club, and does a little writing of his own.  Jess tells him about the gold button, but it has mysteriously disappeared.

They are interrupted by the arrival of the other people involved in Porkys: The Musical – John Astin Ross Hayley demands an explanation and Marta Quintessa swoons in shock (but is revived by Jessica slapping her wrists. Life Lesson #15 right there).

Someone mentions the leading lady. She needs to be told, right? After all, she was well acquainted with Lydecker’s casting couch, if you know what I mean. Ross-the-boss can’t do it, Marta Quintessa can’t do it … who ya gonna call?

Jess goes to see Eve Crystal who has taken up residence in Lydecker’s beach house – more specifically, Lydecker’s liquor cabinet. She offers Jess scotch, pills, and a skinny dip in the ocean, but Jess pours cold water on all of those ideas, literally. Sober enough now, Jess informs Crazy Actress Lady  that Lydecker has shuffled off his mortal coil and Eve bursts into tears. If this was an episode of Law and Order, there’d be a doink doink noise about now.

Job done, JB is back at her hotel being harangued by both the local media and the local constabulary. Lieutenant Hernandez has a suspect, and she looks an awful lot like JB Fletcher.He begs forgiveness – he doesn’t truly believe she did it, but his captain doesn’t share his keen insight.  JB had the motive (she wasn’t fond of Porkys: The Musical), the opportunity, and the supreme misfortune to be caught at the scene of the crime.

JB Fletcher: writer, substitute teacher, killer?

Determined to clear her name, Jess pays another visit to the set of Porky’s: The Musical and get up to speed on the gossip. Today they’re filming the blatant-ripoff-of-MJ scene:

No mere mortal can resist the evil of a neon-lit graveyard…

Jessica learns that Ross Hayley is broke, the old writer is back on the project and Marta whatserface used to live in the beach house before Eve did. Not bad for a mornings work huh? Before Jess can get too pleased with herself, her buddy Hernandez rocks up with Lydecker’s assistant and demands that she point to the person who threatened Lydecker.

Who could it be now?

JB Fletcher takes back everything she said about Sheriff Amos.

Jess is escorted to the police station, and Hernandez stops arguing with his agent long enough to tell her that she isn’t really under arrest, it was a ploy to get his captain off her case, and to scare the real killer.

Hernandez: You want a cup of coffee?

Fletcher: No I don’t want a cup of coffee, I want justice!

WORD. Hernandez, in a spectacular handball that would have been a bullseye on Lou’s Handball Challenge, tells Jess that she’s the prime suspect unless she can clear herself. That’s what she gets for not helping him out when he wanted her to.

She really is surrounded by idiots this week guys. Tasked with this new mission, she enlists the help of Stormin Norman, who informs her that she’s banned from the lot for being a disruptive influence. THAT’S OUR GIRL. She gets around this little roadblock with the use of a cunning disguise straw hat, and sets off to clear her name. She’s a lady with a theory…

While Stormin’ Norman is off doing her bidding, Jess discovers that little Miss Eve and her co-star were pulling a Brangelina on-set. She goes to visit the costume shop to try to solve the case of the missing button, but is knocked down by Ross Hayley, who is hiding in a trailer and promptly legs it. Fortunately the Norman-ator arrives just in time, tackles him to the ground and hands him over to the police. They search him. and find the Mysteriously Disappearing Button in his pocket. Now, what were the odds of that?

With Ross Hayley behind bars, Jess decides to throw a farewell party for herself and invites the whole gang: the ex-mistress, the writer, the new young thang, and her co-star. Champagne for everybody! Well, almost everybody… Jess knows who the killer is, and has laid a trap. She informs her new pals that Ross Hayley is innocent, and just like that, the party is over. One by one the guests leave, until Jess is left with the killer.

Can you guess?

Life Lesson #16: Always suspect the drunken skinny dipper.

Aaaaand cut. That’s a wrap gang. Chalk another one up to Team Fletcher.

See you next week!