It’s a sunny day in the Big Apple and the editor of Follies Magazine, Dean Richards, is having a bit of a day. His finance manager, Carter Drummond, has just informed him that the bank isn’t giving him another loan, he just got blasted over the phone by literary agent Gary Manning about his client Ben Forman’s upcoming profile on JB Fletcher, and his assistant Ellen Harper has just shown him some photos that suck.

Some top-notch exposition right there.

Across town, the profile piece on JB Fletcher is going well.

I mean if anyone’s going to solve it…

Unfortunately what with Ben’s constant crashing bumping and spilling things the interview has to be cut short as Jess has Business. Instead Ben decides he’ll follow JB around the next day.

Jess heads off to her lunch meeting, which happens to be with Dean Richards and his lady friend Kathryn Schofield, and assures Dean that the profile is going a treat and that Ben is adorable. Kathryn goes off to her photo shoot leaving Dean and Jess to throwback cocktails until local media mogul Harrison Kane pops up.

Alan Thicke = 50% responsible for the existence of Robin Thicke who is 100% responsible for Blurred Lines a song I’m still angry about. My vendettas are complicated and last ages.

“Been a long time!” He says to JB.

JB is in smackdown mode.

Turns out Harrison isn’t there to see JB, he just wants to remind Dean that if he doesn’t accept Harrison’s bid for the magazine Harrison will just run the magazine out of business. He sashays away, and JB explains to Dean that a year earlier Harrison was shopping around a movie option for one of JB’s books that he didn’t have rights to and did such a bad job that by the time a legitimate producer wanted the rights the whole thing was cactus.

Meanwhile, Ben is kicking back relaxing all cool shooting some bball outside after school at his house with his friend/raging crush Abby Peters, who is rehearsing for an audition that afternoon. She thinks she’d be a big success if she had an agent like Ben so he gives his agent a call, and tells Abby that she should call him that afternoon. Abby’s boyfriend Dave picks her up and tells her he hopes she’s learned her lines this time.

Jesus Dave, calm down.

After they leave Ben gets a phone call from Harrison Kane, who is rather impressed with Ben’s screenplay and wants to turn it into a movie, but he thinks Ben should get a different agent – Gary Manion is demanding 100K for the rights to it. Ben says he’ll see what he can do, and suggests Abby for one of the roles. Harrison tells him to have her people call his people to sort it out.

Harrison hangs up. Kathryn Schofield is disinterestedly reading a magazine on his couch.

The next day Ben manages to get his last bits of interview from Jess as she races about the place. As she jumps into a taxi, she gives him a free word of advice – keep an eye on his script, and his wallet, around Harrison Kane.

Word must get back to Gary Manion as he puts a ferocious call into Harrison Kane, livid that Kane has shopped around scripts he doesn’t have the rights to. Harrison can’t get a word in. Manion says it’s 100K or nothing, and there’ll be hell to pay if he shops the script around or does one of his famous scope’n’gropes on Abby Peters.

*Coughs* Relevant *Coughs*

Manion hangs up on Kane, and there’s a knock on the door. It’s Carter Drummond, begging Harrison not to rescind his offer. Kane tells him too late, he’s going to destroy Follies Magazine and everyone involved in it, and to get the hell out. Carter departs, leaving Kane with a letter from his lawyers. Something about financial records which I’m sure is important.

Meanwhile, Kathryn is hard at work going about her model business, while a frustrated photographer called Hans bemoans her lack of interest. Dean calls a wrap and orders Hans to deliver some photos by 10am the next morning.

Sidenote: Uma Thurman’s Thanksgiving post on Insta was freaking amazing.

The above goes the way you expect these things to go. Ben arrives just to hear banging and crashing, Abby shouting “NO!” and then sees her run out of the room and into the elevator. He chases her but she flees into a taxi and disappears into the traffic. Meanwhile, room service arrives at Kane’s hotel room to find Kane dead in the bathtub with a hair dryer.

NYPD’s finest detective, Stan Zbornak Artie Gelber is naturally assigned the case and pops round JB’s house for a statement and a chat, as Jessica’s name appears in Harrison Kane’s little black book. JB confirms that she and Dean saw Kane at the restaurant two days ago, and that she and Kane didn’t have the best relationship. Artie wants to make this quick, he’s got reservations in the Catskills etc etc

10 points for that shirt though.

Ben Forman, who was at JB’s going over his draft of the profile piece, makes to leave but Artie has questions for him too.  Jess asks him if they have any suspects and Artie tells her half the world had it in for Harrison Kane. They do know that at some point the previous night Kane had a visitor from someone who liked cigars and bourbon but that they hadn’t ID’d them yet.

Down at Follies HQ Dean and Gary are getting into it over the phone, ending in Gary telling Dean to treat Ben with more respect or he walks, and Dean telling Gary if he tries to extort more money out of him for Ben they are all finished. Carter the finance guy is there too, freaking out after Harrison’s untimely demise – with him dead, the banks think Follies have no more money, but Dean says he’s got some leads.

Jess is summoned down to the precinct when her fingerprints turn up on a manuscript, but it turns out to be hers – the one Kane was shopping around without permission the previous year. Detective Henderson pops his head in to say they still hadn’t found Gary Manion, and that there were still some prints they hadn’t identified. Artie apologises for dragging Jessica into it and she tells him for what it’s worth she was home alone at the time of the murder.

Out in the street, Carter the finance guy and Ellen the assistant at Follies trade barbs. Ellen is meant to be spying on Dean for Carter, which she initially agreed to when Dean started up with Kathryn but now she wants out and she doesn’t care if Carter tells Dean she was spying for him.

Back at home Jess gets a phone call from Dean asking if she’s heard from Gary Manion or from Ben – he’s gone AWOL and hasn’t submitted his profile on JB. Jess tells him she’ll get right on it, and calls the phone company pretending to be Gary Manion’s secretary. Praise be for lax security.

And now lets take a moment to appreciate how 90s this actually is:

I can’t even.

Jess is hot on the trail of Garry Manion and heads down to his office, where she first runs into Abby Peters and then Artie and Detective Henderson, the latter of which elegantly breaks into the office. There’s no sign of Manion inside, but JB has a sneaking suspicion she knows where to find him.

They head over to Ben’s house, and find Garry on the phone, issuing more ultimatums.

YOU GUYS BEN WAS HIS OWN AGENT ALL ALONG *cue cheesy should have known face at camera*

Artie puts Ben under arrest and they all cruise down to the precinct. While Artie wanders around congratulating himself Ben explains to Jess that Garry Manion was a creation borne out of necessity – editors wouldn’t read his work unless he had an agent and agents wouldn’t look at his work unless he’d already sold something. So, he became Garry Manion.


Artie pops back in and confirms that Ben’s prints are all over everything plus someone saw him there. Jess tells him to wait and speak to his lawyer but Ben says there’s no point, he’s ready to sign a confession. Artie’s stoked, he’s got Catskills to get to, but Jess isn’t buying it. She has a theory though.

Meanwhile, Dean and Kathyrn are out to dinner. Dean has an ulterior motive, which Kathryn spots a mile away – Dean needs more money to keep the paper afloat and Kathryn has it. They are interrupted by the appearance of Ellen, who lets Dean know the magazine went to print with the JB article and it’s great. She senses tension and wanders off again. Kathryn tells Dean she’ll think about the loan.

Jess goes to see Abby, and despite the constant interruptions from Dave the 90s guy, manages to get Abby to admit to being in the hotel room.

She also picks up a magazine.

In other news, this episode is ranked #5 in the list of movies and TV that contain a hairdryer in the bathtub according to IMDB.

At his studio, Hans is about to settle in for a solid night of drinking when he finds Carter sitting in a chair.

“The pictures Hans.” Says Carter.

“I haven’t got them.” Says Hans.

“Stop jerking me around Hans.” Says Carter. “Hello Hans. You’re breaking my balls”

The pictures, apparently, are of Kathryn in bed with Harrison Kane, which Carter was going to use to break up Dean and Kathryn. Hans tells Carter he destroyed them.

Back at the police station Abby explains what happened with Harrison and Ben explains that after he saw Abby run out he went in to yell at Harrison, found him dead, freaked out and tried to cover up evidence of Abby’s crime. Except it wasn’t Abby. Artie is delighted Jess convinced her to come forward, he’s sure that hers is the only set of fingerprints left unidentified and it seals Ben’s fate.

Artie’s about to head out at last, when he gets a phone call from Jess – she wants to know where Abby got that magazine from. She tells Artie she doesn’t know, and Artie and Jess go to her apartment to take a look at it. It’s addressed to Hans “You’re breaking my balls” the photographer.

Over dinner that night, Jess tells Dean and Kathyrn that the evidence against Abby is mounting up and that the police are going to search Abby’s apartment the next day. Which is all the bait she needs.

Ahhhh yes.

I mean everyone else had a motive, so why not her? She gave Harrison money to finance a movie that she was meant to be in, but then she found out Harrison had no money so she bumped him off.

Ugh it’s too hot to question this.

Later gang!